The Dandy Highwayman
Place: English countryside, Earth
'Twas not a fit night out for man nor beast. Heavy clouds threatened snow and smothered the moonlight. The damp chill seeped into bones even through the heaviest cloak. Precious little light skittered along this stretch of road under heavy trees.
But there was a glint of hoof, a flash of harness, a quick bright flame to light the glowing end of a cigar. One horseman at least blocked the middle of the road, lying in wait for some unfortunate traveler caught out on this dark, inhospitable night.
Hoof beats drumming along the road began as a subterranean shudder until they grew loud and louder – a horseman come riding, riding, riding—a horseman riding through the gloom along the kind's road.
"Steady on," Shax murmured as he drew his pistols, his horse shifting restlessly under him.
Verin, who stood three yards in front of him, pistols ready, lit cigar jammed between his teeth, growled, "I know how this goes, you twerp."
"Did you want to say it?"
"Nah. You do it. Yours is more fucking posh."
Shax pushed his cocked hat back and sat up straighter in the saddle. Shame it was so dark. Their victim would never see the lovely scarlet coat he wore or the scandalously tight doeskin breeches. Oh, well. Best to dress the part, complete with leather and lace if one wanted to do things right. A black horse galloped round the bend and Shax cleared his throat and fired a pistol into the air.
"Stand and deliver, your money or your life!"
The horse reared and screamed in fear, her rider keeping his seat with ease, pistol butts and rapier hilt a-twinkle in the spare bit if starlight. The rider called out in a voice that tried for arrogance despite the quaver, "Nay, it is you who will stand and deliver!"
Shax gaped a moment before calling back, "No, that's not how this works. We said it first—Dick Turpin, is that you?"
"Aye. Who's doing the ask— Shax?"
"Dick, m'dear, as I live and breathe." Shax secured his pistols and rode forward grinning. "Haven't they caught you yet?"
"Not yet and my hope is not tonight." Dick Turpin, the butcher turned livestock thief turned highwayman, reached out to clasp hands with Shax. "You're a sight for these sore eyes, yer lordship. But I've red coats breathing down my neck. You've no desire to be within shouting distance of me tonight. I've an inn I must reach afore the moon is high. If they've reached it first, I'm done for."
"What've you gotten tangled in now? Innkeeper's daughter?"
Dick flashed his charming, albeit worried, grin. "Stable boy."
"Ah, what am I to do with you?" Shax stood in his stirrups to plant a kiss on Dick's cheek. "Ver? Fancy a bit of devil among the tailors this evening?"
"You mean go cave some redcoat heads in? Fuck yeah. Always up for that."
"Be my guest then, Ver. We'll waylay travelers another night. We'll be along soon."
Verin stubbed out his cigar on a nearby stump, vaulted into his saddle, and thundered off on his huge Friesian, one of the few horses they could find willing to bear Verin's weight. Shax and Turpin followed at a more leisurely pace as his highwayman friend told him the particulars. Not that Turpin usually cared about beyond the shag itself, but it was the principle of the thing. Red coats using a stable boy as hostage and bait. Appalling.
Shax patted Turpin's thigh. "All will be well, my dear, never fear. Except for the inn. There's likely to be damage. Would you care to leave the road for a bit for a quick bit of, as they say, backgammon? Would calm your nerves."
"Would be my honor, yer lordship. That clearing over there—"
"Stand and deliver!" a quavering young voice called from that very clearing.
Shax heaved an exasperated sigh. "Oh, for pits' sakes. I see it's going to be that kind of night."
(Shax has a postscript to add: "My darlings, you may recognize bits of this from Alfred Noyes', "The Highwayman." But damn Alfred and his Victorian morals, changing the story I told him for, as he put it, dramatic purposes.")
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Extra treats for our Brimstone readers, Brimstone Journals will post every Tuesday. Short scenes from characters' lives before, after or during the stories.
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